Introduction

Biography

Son of Al­ten­burg court or­gan­ist Jo­hann Ernst Witt, Christ­ian prob­ab­ly re­ceived a schol­ar­ship from Fred­er­ick I, Duke of Saxe-Go­tha-Al­ten­burg, in 1676 to stu­dy in Vi­en­na and Salz­burg, then from 1685–86 to st­udy com­po­si­tion and coun­ter­point in Nur­em­berg with Ge­org Cas­par Weck­er, re­turn­ing for fur­ther stu­dy in 1688.

He moved to Go­tha to be­come court cham­ber or­gan­ist in June 1686, and stayed there the rest of his life. He became a sub­sti­tute for Ka­pell­meis­ter W. M. My­li­us in 1694, and suc­ceed­ed him af­ter his death in 1713; Duke Fred­er­ick II was one of his pu­pils.

He is men­tioned as a good key­board play­er and Ka­pell­meis­ter in J. P. Trei­ber’s 1704 Der ac­cu­ra­te Or­gan­ist im Gen­er­al-Bass & Tel­emann’s 1739 Be­schreib­ung der Au­gen-Or­gel. He was val­ued by the courts of Ans­bach-Bay­reuth, Schwarz­burg-Ru­dol­stadt, and Saxe-Weiß­en­fels.

While on his death­bed, Bach was com­mis­sioned to sub­st­itute for him and per­form a Pas­sion­tide work for the court cha­pel (the Wei­mar­er Pas­sion). Witt wrote do­zens of can­ta­tas.

Works

• Psalmodia Sac­ra, 1715