Circa 1524–1579

Introduction

Born: Cir­ca 1524, Ches­ter, Eng­land.

Died: June 10, 1579.

Buried: Dur­ham Ca­thed­ral, though his tomb was de­stroyed in 1640.

Biography

William was the son of Will­iam Whit­ting­ham and his wife, a daugh­ter of Haugh­ton of Hogh­ton Tow­er, Lan­ca­shire. Will­iam the young­er’s wife was Ca­ther­ine, daugh­ter of Lou­is Jaque­man (mar­ried No­vem­ber 15, 1556).

In 1540, he ma­tri­cu­late­d at Brase­nose Col­lege, Ox­ford, gra­du­at­ing BA and elect­ed fel­low of All Souls’ Col­lege in 1545. He was a sen­ior stu­dent of Car­di­nal Col­lege (Christ Church), Ox­ford (BA 1545), then tra­veled in France, Ger­ma­ny, and Ge­ne­va, Swit­zer­land, re­turn­ing to Eng­land in 1553.

As Ju­li­an puts it, He fled from the Ma­ri­an reign to Frank­furt, Ger­ma­ny, in 1554, then to Ge­ne­va in 1555. There he suc­ceed­ed John Knox as pas­tor of the Eng­lish con­gre­ga­tion.

Whittingham played a lead­ing role in the trans­la­tion of the Ge­ne­va Bi­ble, and stayed be­hind the main bo­dy of the exi­les to fin­ish it. His thanks to the ma­gis­trates for their hos­pi­ta­li­ty to him and his com­pan­ions were giv­en May 30, 1560, and he no doubt then left Ge­ne­va for Eng­land.

He left Eng­land, how­ev­er, the same year with the Earls of Bed­ford and War­wick. He was made Dean of Dur­ham in 1563, and while there cor­res­pond­ed with Knox.

He was fond of mu­sic, and is said to have in­tro­duced the use of the me­tric­al can­ti­cles in the ca­thed­ral.

When Arch­bi­shop San­dys vis­it­ed Dur­ham dur­ing the va­can­cy of the see, Whit­ting­ham re­fused to see him. San­dys ex­com­mu­ni­cat­ed him, and tried to in­val­id­ate his Ge­ne­van or­ders, re­ceived from Cal­vin. Whit­ting­ham’s death in 1579 came be­fore the strug­gle end­ed.

Works

Whittingham wrote 12 psalms in the Eng­lish psal­ter, and 16 in the Scot­tish. Ju­li­an states, His in­flu­ence on the Psal­ter was, in the first place, that of schol­ar­ly re­vi­sion of the works of Stern­hold, and of Hopkins’ sev­en ear­ly psalms from his know­ledge of He­brew; and in the se­cond, imi­ta­tion of French me­tres, es­pe­cial­ly not­able in the 1560 Christ Church.

Sources

Lyrics

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