1505-1585

Cir­ca 1505, Lei­ces­ter­shire, Eng­land.

No­vem­ber 23, 1585, Green­wich, Eng­land.

St. Al­phe­ge Par­ish Church, Green­wich, Eng­land. The church was lat­er torn down.

Thomas Tallis (1505-1585)

Tallis has been called Eng­land’s leading com­po­ser of sa­cred mu­sic in the Tu­dor era. In 1532, he be­came or­gan­ist in Do­ver; from 1537-1538 he was an or­gan­ist in Lon­don; and 1540-42 at Can­ter­bury Ca­thed­ral. He be­came Gen­tle­man of the Cha­pel Roy­al around 1543 and pro­bab­ly worked there, play­ing the or­gan and com­pos­ing, the rest of his life. He com­posed Ro­man Ca­tho­lic li­tur­gic­al works in La­tin, and Ang­li­can works in Eng­lish. Tal­lis him­self re­mained Ca­tho­lic.

Tallis was one of the first com­pos­ers of An­gli­can sa­cred mu­sic to write in Eng­lish. He com­posed on­ly a few in­stru­ment­al works, ex­clu­sive­ly for key­board in­stru­ments, most of them for use in sa­cred ser­vice. In 1575, he and Wil­liam Byrd (c. 1543-1623) joint­ly pub­lished Can­ti­on­es Sac­rae. His ep­i­taph:

Enterred here doth ly a worthy wyght,
Who for long time in mu­sick bore the bell:
His name to shew was Thomas Tallis hyght;
In honest vertuous lyff he did excell.

He served long tyme in chappel with grete prayse,
Fower sovereygnes reignes, (a thing not often seene);
I mean King Henry and Prince Edward’s dayes,
Queene Marie, and Elizabeth our quene.

He maryed was, though children he had none,
And lyv’d in love full three and thirty yeres,
With loy­al spowse, whose name yclept was Jone,
Who, here entombed, him company now bears.

Ad he dyd lyve, so also dyd he dy,
In myld and quyet sort, O happy man!
To God ful oft for mercy did he cry;
Wherefore he lyves, let Deth do what he can.

  1. First Mode Mel­o­dy
  2. Second Mode Mel­o­dy
  3. Tallis’ Can­on
  4. Tallis’ Or­din­al
  5. Third Mode Mel­o­dy