Son of an Ang­li­can cler­gy­man, Fa­ber grad­u­at­ed from Bal­li­ol Coll­ege, Ox­ford, was or­dained an An­gli­can min­is­ter, and be­came Rec­tor of Elton in 1843. Three years la­ter, he switched to Ro­man Ca­thol­i­cism and found­ed the Bro­ther­hood of St. Phil­ip Ne­ri, in King Wil­liam Street, Strand. He la­ter moved to the Bromp­ton Ora­tory. Faber pub­lished a num­ber of prose works, and three vol­umes of hymns. It was in Je­sus and Ma­ry that ma­ny of his best hymns first ap­peared; in its pre­face, Fa­ber wrote:

It was na­tur­al that an Eng­lish son of St. Phil­ip should feel the want of a col­lect­ion of Eng­lish Ca­tho­lic hymns fit­ted for sing­ing. The few in the Gar­den of the Soul were all that were at hand, and, of course, they were not nu­mer­ous enough to fur­nish the re­qui­site va­ri­e­ty. As to trans­la­tions they do not ex­press Sax­on thoughts and feel­ings, and con­se­quent­ly the poor do not seem to take to them. The do­mes­tic wants of the Or­a­to­ry, too, kept alive the feel­ing that some­thing of the sort was need­ed; though at the same time the Au­thor’s ig­nor­ance of mu­sic ap­peared in some mea­sure to dis­qual­i­fy him for the work of sup­ply­ing the de­fect. Ele­ven, how­e­ver, of the hymns were writ­ten, most of them, for par­tic­u­lar tunes and on par­tic­u­lar oc­ca­sions, and be­came ve­ry pop­u­lar with a coun­try con­gre­ga­tion. They were af­ter­wards print­ed for the schools at St. Wil­frid’s, and the ve­ry num­er­ous ap­pli­ca­tions to the print­er for them seemed to show that, in spite of ve­ry glar­ing lit­er­ary de­fects, such as care­less gram­mar or slip­shod me­tre, peo­ple were anx­ious to have Cath­o­lic hymns of any sort. The MS. of the pre­sent vol­ume was sub­mit­ted to a mu­sic­al friend, who re­plied that cer­tain verses of all or near­ly all the hymns would do for sing­ing; and this en­cour­age­ment has led to the pub­li­ca­tion of this vol­ume.